Posts in Copyright Litigation

From SAG-AFTRA strikes to the class action lawsuit of McKernan against Stability AI, Stability Diffusion and Midjourney, the creative industries are concerned with the ability of AI systems to produce outputs in the likeness of their original works. Earlier this year, a class action lawsuit against popular generative AI developers Stability AI, Midjourney, and DeviantArt was filed in the United States alleging copyright infringement. McKernan and others claimed that generative AI outputs have reproduced a significant portion of their original work.

In 2023, the U.S. Supreme Court decided four intellectual property cases. The cases touched all of the major fields of intellectual property—two cases interpreted the federal trademark act (Jack Daniel’s and Abitron), one case involved patent enablement (Amgen), and one case explicated the federal copyright statutes (Goldsmith). The decisions were split along party lines, with two cases finding in favor of intellectual property owners (Jack Daniel’s and Goldsmith) and two cases in favor of the accused infringers (Abitron and Amgen).

Recently, Wen Xie argued on IPWatchdog that the U.S. Copyright Office (USCO) and the U.S. Patent and Trademark Office (USPTO) have reached different conclusions regarding “the creative and conceiving capabilities of machines,” which leads to intellectual property (IP) law being self-contradictory. According to Xie, the USCO presumes that artificial intelligence (AI) is creative, while the USPTO does not reach a similar conclusion regarding AI inventorship. I disagree.

In 2017, screenwriters Lee Alfred and Ezequiel Martinez Jr. embarked on what would be a five-year journey for their copyright infringement claim against Walt Disney Pictures over the Pirates of the Caribbean franchise. Now, one year after it resolved, their legacy lives on through a new era of copyright litigation in Hollywood. Courts continue to rely on the Ninth Circuit’s decision in the Pirates case to allow screenwriters and other artists to proceed past the pleading stage. With that pendulum swing, litigants in copyright cases over Hollywood films will face a range of undeveloped issues. This article provides a brief recap of the impact from the Pirates case and identifies several open issues that litigants are likely to address in future cases as a result.

Music publishing companies Universal Music, ABKCO and Concord filed suit on Wednesday, October 18, in a Tennessee district court against generative artificial intelligence (AI) company, Anthropic, alleging “widespread infringement of their copyrighted song lyrics.” Anthropic’s core product is the AI ChatBot, Claude, which can be used to generate song lyrics to popular songs owned by the publishers or to generate “original” song lyrics in response to “requests to write a song about a certain topic, provide chord progressions for a given musical composition, or write poetry or short fiction in the style of a certain artist or songwriter,” for example, according to the complaint. These outputs also copy the publishers’ lyrics because Claude is trained on the infringing works and does not license the copyrights to those works, like other music lyric aggregators, said the publishers.

On September 6, OpenAI faced its second invasion of privacy lawsuit filed in the U.S. District Court for the District of Northern California, for allegedly stealing private information from millions of internet users. While the Plaintiffs acknowledge in their complaint that Artificial Intelligence (AI) has the potential to create life-saving technologies and herald discoveries that could improve our daily lives, they claim OpenAI crossed the line of using altruistic means of reaching its objective when it abruptly restructured itself into a for-profit business. Following this restructuring, the Plaintiffs allege OpenAI scraped private information from millions of users to train their Large Language Models. Here are five key allegations from the privacy suit against OpenAI.

Recently, Humans of Bombay (HOB), a storytelling platform, filed a suit seeking an injunction to prevent the unauthorized use of their copyrighted material by another organization, People of India (POI). This includes alleged infringement of content created by HOB, literary works, materials, films, and various creative expressions. HOB connects with individuals willing to share stories or experiences and creates audio-video content. This is subsequently shared on their website and Instagram account in various formats, such as interviews, written pieces, and posts. The current suit centers around the complaint that POI have launched a nearly identical Instagram account, featuring content that closely resembles what’s found on HOB’s account.

A Pulitzer Prize-winning author and a number of Tony, Grammy and Peabody award winners are the latest to sue OpenAI for copyright infringement based on the way it trains its popular chatbot, ChatGPT. In July, comedian Sarah Silverman and authors Christopher Golden and Richard Kadrey brought a similar suit against OpenAI.

On August 30, the U.S. Copyright Office issued a notice of inquiry in the Federal Register seeking public comment on a range of issues related to the intersection of copyright law and artificial intelligence (AI). The recent notice is the latest action by the Office on the myriad of copyright issues that have been arising around the use of generative AI platforms including infringement liability for training AI systems on copyrighted content and human authorship requirements.

Last week, the U.S. District Court for the Northern District of Illinois dismissed a copyright infringement lawsuit filed against the rapper and singer, Future. A Virigina-based rapper, Gutta, accused the rap star of copying his song “When U Think About It” when Future released “When I Think About It” on a 2018 mixtape. The district court judge ruled that none of the elements brought forward by Gutta were protectable under U.S. copyright law. The Virginia rapper argued that the two songs shared both subject matter and similar phrases.

The recently-concluded term of the U.S. Supreme Court featured four intellectual property decisions: one patent case, two trademark cases, and one copyright case. Three of the four opinions were unanimous, citing fundamental and time-honored precedents for support. The only dissent involved a copyright dispute centering on Andy Warhol’s use of a third-party photograph of Prince in his work. That case resulted in a highly charged debate between Justices Sotomayor and Kagan as to whether Warhol’s copying constituted transformative fair use.

The past year has provided decades’ worth of developments across law and policy in the areas of artificial intelligence (AI) and machine learning (ML) technologies. If 2022 was the breakthrough year for accessible AI, then 2023 can so far be deemed as the first year of likely many more to come in the era of an AI inquisition. “After years of somewhat academic discourse,” reflects Dr. Ryan Abbott, “AI and copyright law have finally burst into the public consciousness—from contributing to the writer’s strike to a wave of high-profile cases alleging copyright infringement from machine learning to global public hearings on the protectability of AI-generated works.” Both the U.S. Copyright Office (USCO) and the U.S. Patent and Trademark Office (USPTO) are in active litigation over the eligibility of generative AI outputs for statutory protection. Additionally, both offices have held numerous webinars and listening sessions and conducted other methods of collecting feedback from the public as they work through policy considerations surrounding AI.

The U.S. Court of Appeals for the Ninth Circuit yesterday upheld a district court ruling that embedding images from Instagram posts in third-party websites does not constitute copyright infringement. The case has to do with two photographers’ images that were embedded and posted with articles run by Buzzfeed News and Time from the photographers’ public Instagram accounts. The district court and the Ninth Circuit both cited Perfect 10 v. Amazon as precluding relief.

Last week, comedian Sarah Silverman and authors Christopher Golden and Richard Kadrey sued OpenAI in a U.S. district court, alleging the company’s generative AI product, ChatGPT, infringes on their copyrighted content. In addition to copyright infringement, the trio also claimed that the AI company violated the Digital Millennium Copyright Act (DMCA), unfair competition laws and unjustly enriched the company. The lawsuit accuses OpenAI of “copying massive amounts of text” used to train ChatGPT to produce new text from prompts. Language models like OpenAI rely on datasets of text or other media to train its generative capabilities.

The U.S. Supreme Court denied the petitions for certiorari in a number of IP cases today, including three the U.S. Solicitor General had recommended rejecting. In Genius v. Google, ML Genius Holdings (Genius) attempted to sue Google for posting song lyrics from its website in Google search results. Genius’s petition asked the High Court to answer the question of whether the Copyright Act’s preemption clause allows a business “to invoke traditional state-law contract remedies to enforce a promise not to copy and use its content?”