Posts in Copyright

Concord Music Group, Inc., Universal Music Group, and ABKCO Music, Inc. filed a complaint on Wednesday for copyright and Digital Millennium Copyright Act (DMCA) violations against Anthropic PBC, Dario Amodei, and Benjamin Mann in the U.S. District Court for the Northern District of California, adding another lawsuit against generative artificial intelligence companies. The publishers alleged that Anthropic engaged in mass piracy by downloading millions of unauthorized copies of books containing their copyrighted musical compositions from notorious pirate library websites, including Library Genesis (LibGen) and Pirate Library Mirror (PiLiMi). The complaint argued that Anthropic used BitTorrent to acquire these works and subsequently trained its Claude AI models on the stolen content, thereby directly infringing the publishers’ exclusive rights and undermining the music licensing market.

On January 23, the United States Department of Justice (DOJ) urged the U.S. Supreme Court to reject a petition from Stephen Thaler, who seeks copyright protection for a work created by his artificial intelligence (AI) system. The DOJ argued that the U.S. Court of Appeals for the District of Columbia Circuit correctly upheld the United States Copyright Office’s refusal to register a copyright for an image that was admittedly created without human authorship.

On Friday, January 23, the U.S. Court of Appeals for the Fourth Circuit issued a ruling in Allen v. Stein that likely ends a decade-long copyright battle over documentary footage of a state-sponsored salvage project exhuming a shipwreck associated with the famed pirate Blackbeard. Reversing and vacating rulings by the Eastern District of North Carolina, the Fourth Circuit found that an erroneous legal standard was used in allowing Allen to pursue a new theory for his copyright claims, remanding the case to the district court with directions to dismiss Allen’s complaint with prejudice.

On January 22, the Human Artistry Campaign, on behalf of a broad cross-section of the American creative community, launched a new advocacy campaign, titled “Stealing Isn’t Innovation.” The campaign’s core message is a direct protest against the “illegal mass harvesting of copyrighted works” by large technology companies to build and train their Generative Artificial Intelligence (GenAI) platforms.

The U.S. District Court for the Northern District of California on Tuesday granted summary judgment in favor of Pinterest, Inc. in a copyright infringement suit brought by the estate of a professional photographer, finding that the social media platform is protected by the Digital Millennium Copyright Act’s (DMCA) safe harbor provision.

The U.S. Court of Appeals for the Ninth Circuit on Friday affirmed a district court’s grant of summary judgment in favor of Paramount Pictures Corporation in a copyright and contract dispute brought by the heirs of the author of the 1983 magazine article that inspired the original Top Gun film. Shosh Yonay and Yuval Yonay, the widow and son of Ehud Yonay, first brought claims against Paramount in 2022, alleging that the sequel Top Gun: Maverick infringed on the copyright of Ehud Yonay’s article, “Top Guns.” The U.S. District Court for the Central District of California in 2024 granted summary judgment for Paramount, agreeing that Maverick did not share “substantial amounts of the article’s original expression and that the depicted pilots and their experiences were factual and therefore unprotected by copyright law.

Much of the focus on generative artificial intelligence (GenAI) has been on training data ingestion—the moment when AI “steals” from creators. But legally, that’s not where the real fight should be. Decades of legal precedent—from search engines to image?scanning to streaming media—already give us a roadmap. No new formulation of copyright law by Congress, as suggested by some academics, is necessary. By considering these seven unique aspects of GenAI systems, copyright analysis is actually easy.

As 2025 draws to a close, the intellectual property ecosystem faces a wave of transformative changes driven by artificial intelligence (AI) and evolving legislative priorities. From sweeping federal proposals aimed at harmonizing AI governance and overriding state laws, to new copyright and media integrity measures designed to address deepfakes and transparency, and finally to renewed momentum behind patent eligibility and Patent Trial and Appeal Board (PTAB) reform, these developments signal a pivotal moment for innovators, rights holders, and policymakers alike. This article explores three critical fronts shaping the future of IP: federal AI legislation and executive preemption, copyright accountability and media integrity, and the year-end outlook for patent reform—each redefining the balance between innovation, protection, and compliance.

Each year IPWatchdog surveys the IP community to get their thoughts on what the biggest moments in IP were that year. Some years, the comments vary greatly depending on respondents’ practice or perspective. Other years, there are clear winners for what mattered most that year, and 2025 fits this bill. With a few outliers for big trademark moments, the comments below almost exclusively highlight U.S. Patent and Trademark Office (USPTO) Director John Squires’ and Deputy Director Coke Morgan Stewart’s aggressive approach to reining in Patent Trial and Appeal Board (PTAB) proceedings and the various court decisions on artificial intelligence (AI) and copyright that have come down.

On December 19, Google LLC filed a complaint in the U.S. District Court for the Northern District of California against SerpApi, LLC, alleging violations of the Digital Millennium Copyright Act (DMCA). The suit centers on claims that SerpApi, a “scraping” service, unlawfully circumvents Google’s technological barriers to scrape copyrighted content from its search results pages on a massive scale, thereby profiting from Google’s efforts without compensation.

With another holiday season upon us, IPWatchdog is taking a stroll down the toy and gaming aisle to pick out this season’s gifts representing some of the more successful and unique IP stories. From major licensing deals spawning award-winning animatronic dolls to infringement lawsuits ensuring that U.S. consumers enjoy authentic versions of lovable anime characters, Santa will be slipping these gifts down the chimney this year thanks in no small part to the effective use of IP rights.

The battle over whether U.S. copyright law permits artificial intelligence (AI) training on copyrighted works is no longer a theoretical debate. In 2025, three federal district court decisions began to sketch the boundaries of what counts as fair use in this context.

In a year dominated by artificial intelligence (AI) copyright cases, 2025 also featured several influential cases on traditional copyright issues that will impact copyright owners, internet service providers, website owners, advertisers, social media users, media companies, and many others. Although the U.S. Supreme Court did not decide a copyright case this year, it heard argument on secondary liability and willfulness issues in Cox v. Sony. Lower courts continued to wrestle with applying the fair use factors two years after the Supreme Court issued Warhol v. Goldsmith. The divide over whether the “server test” applies to embedded works deepened—and remains unsettled. And the Ninth Circuit further refined the standard for pleading access to online works. This article highlights some of the most important copyright cases from this year and their practical implications.

Senators Marsha Blackburn (R-TN) and Peter Welch (D-VT) have introduced a bill to streamline the copyright registration process for visual artists, such as photographers, illustrators and graphic artists. According to a press release issued by Blackburn yesterday, “the [copyright] registration process is so bureaucratic and complicated that the time and expense of compliance is too high for high-volume creators like photographers, illustrators, and graphic artists.”