Posts in Copyright

The Changing Reality of Making Music in the Internet Age

Things have changed in a way because technology has allowed sampling of very specific parts of songs to take place sometimes without written prior acknowledgement or permission from the original artist. I think in music, going back many decades, people have always been lifting ideas from one another and interjecting those bits of ideas as musical “flavors” into songs. The lifted parts were brief and the influence might have been subtle, but noticeable. Guitar players have lifted licks or phrases off of the old Blues artists, and continue to this day. So this is really nothing new. But to extract specific parts of an existing song and make it the basis of a “new” song for me is a stretch and potentially signals a lack of deeper creativity and emotion. If however a musician does this and obtains permission to use from the original copyright holder, then I can respect that.

The Abandonware Conundrum: Can you modify games if publisher shuts down the server?

The EFF wants an exemption for people who want to modify their purchased games in order to bypass access controls when a publisher shuts down the server. Specifically, the EFF would like for any piece of software with server-based functions that are shut down by a publisher or developer to be considered “abandoned” six months later. This means that someone who owns a copy of a game that no longer has an online play component would be able to modify the game to eliminate authentication checks or access controls in the game itself so they can still play online using a third party server. This may also include reverse engineering and making intermediate copies of the game, which goes well beyond the skill set of the casual user.

GoDaddy IPO could bring a nearly $3 billion valuation thanks to IP holdings

Publicly traded shares of stock in the company will initially be priced in a range from $17 to $19 each. If each of the 22 million shares which the company plans on offering are sold at the high end of that range, it could net the company $418 million. This will be aided by a small but meaningful patent portfolio made up of nearly 150 U.S. patents, which cover core innovations relating to domain name valuation, domain name hijacking prevention and methods for creating an Internet business.

Jury Tells Robin Thicke to Give it Up

Thicke maintains that the Gaye family doesn’t own a genre, a style, or a groove and he’s right. The Gayes point out no other musicians or songs of the era were compared with “Blurred Lines,” and they’re right, too. A viable criticism of the verdict is that it could have a chilling effect on new music for fear of overzealous copyright owners attempting to expand this concept to their cases. Is it possible that a ruling of this nature would stifle creativity? Perhaps, but people were saying the same thing when the music sampling cases happened, and the industry adapted just fine.

Congress Seeks to Fix Unfair, Outdated Royalties for Songwriters and Composers

According to Congressman Collins, who I spoke with via telephone on Friday, March 6, 2015, there was a great deal of treatment of the SEA at the subcommittee level during the 113th Congress, but now during the 114th Congress consideration will move to the full Committee level, which suggests a seriousness about getting something done. ”Music licensing will be an area where something bubbles up this Congress,” Collins explained. ”I’m hoping the industry will come together.”

How Sweet it is to be Sued by You (for copyright infringement)

Marvin Gaye enjoyed tremendous success during this decade and his song Got to Give it Up topped the charts in 1977. Fast forward nearly forty years to 2013, when the tremendously popular singer / songwriter, Robin Thicke recorded his number one hit, Blurred Lines. Got to Give it Up was recorded in 1976 and released in 1977, which means its copyright is governed by the 1909 Act. Now, under the 1909 Act, a work had to be published with notice or a deposit had to be made in the Copyright Office. Mere distribution of a song did not meet the publication requirement. Blurred Lines, however, is protected under the 1976 Act. A notable difference between the two statutes is that the 1976 Act gives automatic protection to any original work fixed in a tangible medium.

A 2015 IP Policy Outlook

House Judiciary Committee Chairman Bob Goodlatte (R-VA) will keep copyright high on the Judiciary Committee’s agenda in the 114th Congress. Given that Chairman Goodlatte has already held nearly twenty hearings as part of his copyright review, it is safe to say that the initial hearing stage of the review is coming to a close, although he is expected to hold several additional hearings early this year. The Copyright Office has recommended that Congress should consider providing new and more efficient processes to enable the resolution of small claims. Moreover, senior House Judiciary Committee staff has expressed support for a small copyright claims remedy.

IP and the 114th Congress: Meet the Republicans of the House IP Subcommittee

With respect to intellectual property it is the House Judiciary Committee that will set the agenda for any potential legislative reform over the next two years, with the Subcommittee on Courts, Intellectual Property, and the Internet leading the way. The often controversial Darrell Issa has lost his leadership position on the House Oversight Committee, but he has gained the gavel of this IP subcommittee. Few anticipate that he will easily be relegated to the back bench, so look for an active and bumpy ride over the next two years.

‘Happy Birthday to You’ Copyright Challenged in Class Action

[O]ne production company has decided to take this battle to the courts in the hopes of overturning what it feels are misappropriated copyright protections… The evidenced entered into the case by Good Morning To You Productions dates back to 1893, when a manuscript containing 73 songs was sold by sisters Mildred J. and Patty Smith Hill to publisher Clayton F. Summy. One of those songs was titled “Good Morning to All,” which contains the original melody for the song that became “Happy Birthday to You.” Within the year, Summy published Song Stories for the Kindergarten, which included “Good Morning to All,” and in October 1893, Summy obtained copyright protection as the proprietor, but not as the author, of the collection of songs.

Populist Disconnect and the Whittling Away of IP Rights

Stealing originally created content is extremely problematic, whether it is a blog article, a newspaper article, a book, painting, photograph or movie. If you search the Internet for practically anything you will be inundated with the same text over and over without really finding useful answers. Of course, the websites that engage in widespread plagiarism, which is just a less judgmental way to say “widespread copyright infringement,” are reaping the economic rewards of their stealing while making it increasingly difficult for those who actually create original content to survive. The infringer business model is frequently to simply copy from others who don’t have the means or ability to seek redress, and Congress is held hostage by protesters who don’t want to have to pay for free original content.

SCOTUS: Streaming TV Over Internet is Copyright Infringement

Using an all too familiar “logical” construct, the Supreme Court determined that what Aereo did was not a public performance within the meaning of the Copyright Act, but was still infringement because it was a public performance. This construct, which often appears in patent cases, is logically absurd, but without anyone to review the Court’s decisions they seem completely comfortable rendering internally inconsistent and logically flawed decisions, particularly when dealing with intellectual property. The Supreme Court likely struggles with intellectual property because the Court is simply not comfortable with technology. In the past…

Internet Policy Task Force to Host Series of Roundtables on Copyright Internet Policy Topics

The purpose of the roundtables is to engage further with members of the public on the following issues: (1) the legal framework for the creation of remixes; (2) the relevance and scope of the first sale doctrine in the digital environment; and (3) the appropriate calibration of statutory damages in the contexts of individual file sharers and of secondary liability for large-scale infringement. The roundtables, which will be led by USPTO and the National Telecommunications and Information Administration (NTIA), will be held in Nashville, TN on May 21, 2014, Cambridge, MA on June 25, 2014, Los Angeles, CA on July 29, 2014, and Berkeley, CA on July 30, 2014. The meetings were called for in the Task Force’s Green Paper on Copyright Policy, Creativity, and Innovation in the Digital Economy released last year.

Internet Policy Task Force to Host Multistakeholder Forum on Improving the Operation of the Notice and Takedown System under the Digital Millennium Copyright Act

The goal of the multistakeholder forum is to identify best practices and/or produce voluntary agreements for improving the operation of the DMCA notice and takedown system. The IPTF plans to hold several additional meetings throughout the year. The initial meeting will focus on identifying concrete topics to be addressed by participants, and to discuss and make decisions about the process for the forum’s ongoing work. The IPTF aims to have participation from a wide variety of the notice and takedown system’s current users, including right holders and individual creators, service providers, and any other stakeholders that are directly affected – such as consumer and public interest representatives, technical and engineering experts, and companies in the business of identifying infringing content.

Seven IP Cases Slated on Supreme Court Oral Argument Calendar

The Court will hear oral argument as follows: on February 26, in two cases on granting (Octane Fitness) and reviewing (Highmark) attorneys’ fee awards; on March 31, in a case (Alice Corp.) on patent eligibility of system and computer-implemented method claims; on April 21, in a case (POM Wonderful) on claims under Section 43 of the Lanham Act challenging labels regulated by the Food and Drug Administration; on April 22, in a case (Aereo) on whether a provider of broadcast television programming over the Internet violates a copyright owner’s public performance right; on April 28, in a case (Nautilus) on the proper standard for finding indefiniteness invalidity for patents; and on April 30, in a case (Limelight) on joint liability for method claim infringement where all of the claimed steps are performed but not by a single entity.

Marla Grossman Exclusive, Part 2

GROSSMAN: “A report released by the Global Intellectual Property Center found that IP-intensive industries employ 55.7 million Americans across dozens of sectors of the economy. In every state of this nation, millions of jobs hinge on the protection and enforcement of intellectual property rights and supply wages 30% higher than non IP jobs. I think that increasingly reports such as these, will demonstrate, with hard facts and figures, to public policymakers the importance of intellectual property rights in promoting creativity and innovation in the U.S. economy, and thereby counter the popular and trendy notion that consumers should get everything they want instantaneously and for free.”