Posts Tagged: "copyright law"

Kim Dotcom extradition case highlights de facto SOPA, PIPA rules

New Zealand Judge Nevin Dawson handed down a ruling that would allow the United States to move forward with the extradition of Kim Dotcom, the founder of the former Megaupload.com, one of the world’s most popular file sharing websites at the height of its power. Kim and others involved with Megaupload have been sought under counts of criminal copyright infringement, racketeering, conspiracy to commit money laundering as well as aiding and abetting criminal copyright infringement. The original indictment, filed by the Department of Justice in the Eastern District Court of Virginia back in January 2012, alleged that Kim and other defendants were responsible for $500 million in harm to copyright holders.

Copyright Office issues DMCA exemptions for automotive software, jailbreaking smart TVs

Automotive software exemptions were only one class of circumvention made allowable by the recent copyright rules which may be exciting for some DIY tech enthusiasts. Jailbreaking, or the process of accessing a device’s operating software to execute software which otherwise could not be run, is now legal in some limited forms for an array of electronic devices. For smartphones and tablets, the Copyright Office favored an exemption for circumvention of operating system software to execute lawfully obtained software applications, or to remove unwanted software from the device. This exemption only applies to “portable all-purpose mobile computing devices” and so only doesn’t extend to specialized devices like e-book readers, vehicle-embedded systems or handheld gaming devices. This rule closely reflects requests made in a petition by the Electronic Frontier Foundation (EFF) despite opposition from the Business Software Alliance (BSA) as well as the National Telecommunications & Information Administration’s (NTIA) opinion that the exemption should also extend to e-book readers and other specialized devices.

‘Happy Birthday To You’ Now In the Public Domain (Sort of)

For as long as I can remember, whenever we celebrated a birthday, we inevitably would gather around the birthday boy or girl and sing “Happy Birthday To You.” But now that the copyright is in question, new evidence brought to light that the song belonged in the public domain. Happy Birthday may very well be the oldest – and most widely recognizable – orphan work of all time. In 2013, a documentary filmmaker challenged the copyright on the world’s most popular song, calling Warner/Chappell Music’s claim to copyright royalties bogus. The filmmakers’ claim was no small declaration. By 1996, Warner/Chappell, who since 1988 has purported to own the rights to the song, was collecting over $2 million per year in licensing fees. The basis of Warner/Chappell’s claim is a copyright registration from 1935, made by the Summy Company, Warner/Chappell’s predecessor in interest.

Copyright Office asked to investigate software copyright issues by Senate Judiciary

At the end of her speech Pallante mentioned that she had just received a letter from the Senate Judiciary Committee, specifically sent by Senator Chuck Grassley (R-IA), who Chairs the Committee, and Ranking Member Senator Patrick Leahy (D-VT). The letter from Grassley and Leahy asked the Copyright Office to undertake a study and to report back on a number of software copyright issues. Pallante read a portion of the letter received from the Senate Judiciary Committee, which said: “As software plays an ever increasing role in defining consumer interactions with devices and products, many questions are being asked about how consumers can lawfully use products that rely on software to function.” She then remarked that this inquiry goes away from copyrights merely protecting expressive content, and further pointed out that the Senate is asking about works that are protected by copyright but still functional.

Strong IP protection provides inventors and creators the economic freedom to create

Critics argue that intellectual property is bad for innovation in part because it allows for “monopolies” that prevent the public from using certain creations without permission for a period of time. As a preliminary matter, the use of the misleading scare-term “monopolies” to describe property rights in inventive and creative labor is clearly an attempt to skew the debate from the outset. After all, you wouldn’t call property rights in hard-copy creations, like the crops a farmer harvested, “monopolies” in those creations. Furthermore, if public access is the concern, a system that fails to provide inventors and creators the economic freedom to create things to market to the public in the first place will be far more harmful than a system that secures justly-earned property rights in inventors’ and artists’ productive labors.