Posts Tagged: "copyright"

On August 30, the U.S. Copyright Office issued a notice of inquiry in the Federal Register seeking public comment on a range of issues related to the intersection of copyright law and artificial intelligence (AI). The recent notice is the latest action by the Office on the myriad of copyright issues that have been arising around the use of generative AI platforms including infringement liability for training AI systems on copyrighted content and human authorship requirements.

Last week, the U.S. District Court for the Northern District of Illinois dismissed a copyright infringement lawsuit filed against the rapper and singer, Future. A Virigina-based rapper, Gutta, accused the rap star of copying his song “When U Think About It” when Future released “When I Think About It” on a 2018 mixtape. The district court judge ruled that none of the elements brought forward by Gutta were protectable under U.S. copyright law. The Virginia rapper argued that the two songs shared both subject matter and similar phrases.

The Film Independent and the International Documentary Association (IDA) sent a letter to the  Senate Subcommittee on Intellectual Property Tuesday, asking the Subcommittee to ensure that any federal right of publicity it may be considering as an answer to problems raised by generative AI artificial intelligence (AI) include an express exemption for creative works. The letter, penned by the law firm Donaldson Callif Perez, came in response to the Subcommittee hearing held on July 12, 2023, during which witnesses floated the idea of creating a federal right of publicity or an anti-impersonation right as a solution to concerns that generative AI could mimic artistic styles.

In 2000, Wizards of the Coast (“Wizards”), the creators of Dungeons & Dragons, faced a red pill or blue pill scenario. On the one hand, Wizards could continue to build its Dungeons & Dragons game, while carefully preserving its intellectual property rights. On the other hand, Wizards could risk or even waive its intellectual property rights by allowing third parties, especially the players, to use the Dungeons & Dragons’ intellectual property for their own creations with few limitations, allowing its players to help expand the D&D franchise. Wizards’ chose the second option – to limit its claims over its intellectual property and allow third parties to create their own custom D&D content. A Dungeons & Dragons empire was born. Twenty-three years later, we examine Wizards’ choice and its impact. In early January of this year, the gaming industry was outraged over a leaked document published by pop culture news outlet io9. The document was a draft of the most recent version of Wizards’ Open Game License, or OGL.

The recently-concluded term of the U.S. Supreme Court featured four intellectual property decisions: one patent case, two trademark cases, and one copyright case. Three of the four opinions were unanimous, citing fundamental and time-honored precedents for support. The only dissent involved a copyright dispute centering on Andy Warhol’s use of a third-party photograph of Prince in his work. That case resulted in a highly charged debate between Justices Sotomayor and Kagan as to whether Warhol’s copying constituted transformative fair use.

The past year has provided decades’ worth of developments across law and policy in the areas of artificial intelligence (AI) and machine learning (ML) technologies. If 2022 was the breakthrough year for accessible AI, then 2023 can so far be deemed as the first year of likely many more to come in the era of an AI inquisition. “After years of somewhat academic discourse,” reflects Dr. Ryan Abbott, “AI and copyright law have finally burst into the public consciousness—from contributing to the writer’s strike to a wave of high-profile cases alleging copyright infringement from machine learning to global public hearings on the protectability of AI-generated works.” Both the U.S. Copyright Office (USCO) and the U.S. Patent and Trademark Office (USPTO) are in active litigation over the eligibility of generative AI outputs for statutory protection. Additionally, both offices have held numerous webinars and listening sessions and conducted other methods of collecting feedback from the public as they work through policy considerations surrounding AI.

Everyone’s talking about artificial intelligence (AI), but not everyone’s talking about it the same way. The tenor of the global conversation on AI ranges from dystopian fearmongering to evangelistic optimism. It’s vital to know the prevailing mood in the territory where you plan to launch your AI-powered service, app, or consultancy. In this article, we’ll briefly tour recent legislation, ethical conversations, and economic strategies to demonstrate how varied current thinking is on this revolutionary new technology. We’ll look at the current situation in the United States, Canada, Europe, China, Japan and beyond, as countries develop the policies, guidelines and laws necessary to regulate AI innovation without stifling creativity.

Voice cloning, a technology that enables the replication of human voices from large language models using artificial intelligence (AI), presents both exciting possibilities and legal challenges. Recent machine-learning advances have made it possible for people’s voices to be imitated with only a few short seconds of a voice sample as training data. It’s a development that brings exciting possibilities for personalized and immersive experiences, such as creating realistic voiceovers for content, lifelike personal assistants and even preserving the voices of loved ones for future generations. But it’s also ripe with potential for abuse, as it could easily be used to commit fraud, spread misinformation and generate fake audio evidence.

Reports of the death of the movies at the hands of IP have been greatly exaggerated. Movie ticket sales are down and may never recover from pre-pandemic highs. The actors and writers strike will not help but the scarcity of new product might. The studios are racing to screen franchise movies that put people back into theater seats. IP rights associated with franchises – Spider-Man, Iron Man, the Avengers, Indiana Jones, Star Wars, Mission Impossible – are being blamed for turning the movies into a veritable video game more focused on effects than people.

The House of Representatives’ Subcommittee on Courts, Intellectual Property and the Internet met today to hear from a number of witnesses about the intersection of intellectual property rights and consumers’ right to repair products they own. The concerns voiced by witnesses and congress members today centered around harm and cost to consumers as a result of technological protection measures (TPMs) and increased use of IP tools such as design patents to thwart competition for after-market parts.

The U.S. Court of Appeals for the Ninth Circuit yesterday upheld a district court ruling that embedding images from Instagram posts in third-party websites does not constitute copyright infringement. The case has to do with two photographers’ images that were embedded and posted with articles run by Buzzfeed News and Time from the photographers’ public Instagram accounts. The district court and the Ninth Circuit both cited Perfect 10 v. Amazon as precluding relief.

On July 12, the U.S. Senate Judiciary Committee’s Subcommittee on Intellectual Property held its second hearing in two months on the intersection of artificial intelligence (AI) developments and intellectual property rights. This most recent hearing focused on potential violations of copyright law by generative AI platforms, the impact of those platforms on human creators, and ways in which AI companies can implement technological solutions to protect copyright owners and consumers alike.

Last week, comedian Sarah Silverman and authors Christopher Golden and Richard Kadrey sued OpenAI in a U.S. district court, alleging the company’s generative AI product, ChatGPT, infringes on their copyrighted content. In addition to copyright infringement, the trio also claimed that the AI company violated the Digital Millennium Copyright Act (DMCA), unfair competition laws and unjustly enriched the company. The lawsuit accuses OpenAI of “copying massive amounts of text” used to train ChatGPT to produce new text from prompts. Language models like OpenAI rely on datasets of text or other media to train its generative capabilities.

On July 11, the Council for Innovation Promotion (C4IP), released a policy report advocating for a pro-innovation legislative and administrative agenda to counteract a series of shocks to the U.S. patent system over the past two decades. This pro-innovation agenda has the direct support of several C4IP members who formerly held high-ranking government positions and are now calling on the federal government to correct several areas of patent law that have improperly tilted the playing field in favor of corporate infringers and foreign counterfeiters.

“The true crime in ecommerce fraud is that creators will stop creating.” That grim assessment has driven Jennifer L. Cook of SnakeArts to fight like heck against rampant infringements and counterfeits globally. Her ongoing class action lawsuit against Meta Platforms claims their subsidiary Facebook knowingly permits copyright infringement via advertisements featuring stolen product images from artists. It seems to be in Meta’s best interest to do so: FB generates the bulk of its billions of dollars in annual revenue from advertisements, without regard to the legitimacy of content.