Posts Tagged: "Music Royalties"

Mechanical Licensing Collective’s $424.4 Million Unmatched Royalty Collection Highlights Music Modernization Act’s Limited Liability Compromise

On February 16, the Mechanical Licensing Collective (MLC) – a nonprofit organization designated by the U.S. Copyright Office to administer blanket mechanical licenses to eligible streaming and download services in the United States –announced that it had received a total of $424.4 million in unmatched royalties accrued by 20 digital service providers (DSPs), including Spotify and Apple Music, during a three-year transition period under the terms of the Music Modernization Act (MMA). The transfer of unmatched royalties enables these DSPs to qualify for limited liability provisions under the MMA. At the same time, usage data submitted by DSPs associated with the accrued unmatched royalties is expected to help the MLC identify copyright owners for distributing royalty payments, the first of which are expected to be distributed this April.

Artists Urge Bezos to Take Action Against the Streaming of Unlicensed Music on Twitch

On August 10, the Executive Board of the nonprofit organization Artist Rights Alliance (ARA) published a letter to Jeff Bezos, the Founder and Chief Executive Officer of Amazon.com, Inc. In the letter, the ARA asked Bezos to answer the question of whether the Twitch platform allows users to post or stream unlicensed music and to take necessary actions to stop such activity. The ARA advocates for a healthy music economy and for the rights of musicians, performers, and songwriters in the digital world. The letter expressed the ARA’s respect for Amazon and its products and services, but noted its disapproval of Amazon’s Twitch subsidiary, which allegedly hosts and delivers unlicensed music. Twitch is an online service owned by Amazon since 2014 that is used to watch and stream digital video broadcasts, such as streams dedicated to artwork creation, music, talk shows, and TV series.

Musically Inclined: The Music Modernization Act of 2018

When Congress permitted sound recordings to be copyrighted over four decades ago, it didn’t extend that coverage to pre-1972 recordings. This issue, and the piecemeal nature of licensing for digital music on a per-work, per song basis, were part of the impetus for the stakeholders in the music industry to work together to create the Music Modernization Act, signed into law on October 11, 2018… Not all issues in the music industry were solved by the Music Modernization Act: licensing of physical sound recordings (vinyl and CDs) will still occur on a per-work, per song basis. Terrestrial radio pays songwriters and publishers royalties for playing music, but it doesn’t pay performance or sound-recording royalties. And while the goal of one public database is laudable, the responsibility still lies with songwriters and publishers to submit copyright applications and to submit all of their musical works and sound recordings to the MLC… While there is still work to be done, the Music Modernization Act does solve some long-standing issues in the music industry.

Compromise on Music Modernization Act Leads to Unconditional Support From Music Industry Organizations

A collection of trade organizations representing music publishers and songwriters recently released a joint statement in which all announced unconditional support for S.2823, the Music Modernization Act (MMA). These organizations include SESAC, the National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI) and the Songwriters of North America (SONA). The support of the bill from these collective entities comes after an amendment to the act designed to improve private competition in the market for music licensing after a contentious period of negotiating that amendment.

The Music Modernization Act is Introduced Into U.S. House, Would Create Blanket Licenses for Streaming Music Services

a bipartisan group of Representatives serving on the House Judiciary Committee introduced the Music Modernization Act (H.R. 5447) into the U.S. House of Representatives. Along with broad political support, the Music Modernization Act reportedly has wide support among both song creators and distribution platforms within the industry. The bill, which would enact the largest changes to U.S. music copyright law in 20 years if passed, also incorporates elements of other music copyright laws which have been introduced but failed to pass in recent years.

How Do Musical Artists Get Paid When Skaters Use Their Songs at the Olympics?

The somewhat jarring Olympics tradition of juxtaposing athleticism and grace with instrumental versions of popular songs you might hear in the grocery store came to an end in Pyeongchang. After the Sochi games in 2014, the International Skating Union (ISU) decided to shake things up (or shake it off, Taylor Swift?) and began allowing skating to music with lyrics. This is not at all surprising given the demographics of the skaters, who are much more likely to enjoy “Single Ladies” than “Clair de Lune.” Pleasing Generation Z and millennial skaters, however, was not the main goal of the rule change; rather, the ISU wanted to appeal to younger audiences who tune in to watch the Olympics and other major figure skating events.

Increasing Fairness For Independent Songwriters By Improving The Music Modernization Act

As advocates for all music creators, including independent songwriters, we have endorsed the Music Modernization Act, along with other organizations spanning the music industry, as part of a package of important reforms that will better the lives of people who make music for a living and strengthen the music economy overall.